Reading Activities  /  Tension Graph

Tension Graph

One bar per chapter, one to ten, and a sentence underneath saying why. The bar is a guess until the sentence exists — which is the entire reason this works better than asking children whether a chapter was exciting.

A number forces a decision. “Quite tense” is not an answer. A 6 is, and a 6 can be argued with.
The justification is on the same sheet. Rating and reason sit together, so neither can be skipped.
It reveals how an author works. The shape of the bars is the shape of the writing.

Plot it live on the whiteboard · printing a blank graph is free

The sheet it prints

The printable tension graph — blank bars for each chapter from 1 to 10, with lines underneath to justify the rating.

What is a tension graph?

A tension graph is a bar chart of how tense a story is, chapter by chapter. Each bar is a rating from 1 (nothing at stake) to 10 (unbearable), and under it goes a short justification. It measures what the reader feels, not what the characters feel, which is what separates it from an emotion graph.

It is one of the few activities that puts children in the position of the writer rather than the audience. Once a class can see that tension was built, they start noticing the tools that built it.

What is the difference between tension and emotion?

Tension is about uncertainty and stakes — how worried you are about what happens next. Emotion is what a character feels. A chapter can be desperately sad and have almost no tension, because the bad thing has already happened and nothing is hanging in the balance any more.

Plotting both across the same chapters and looking at where they come apart is a strong Year 6 lesson. Dramatic irony — where the reader knows something the character does not — shows up as reader tension climbing while the character stays perfectly calm.

What actually makes a chapter tense?

Children rate by how exciting something was; the point of the lesson is to move them to rating by how uncertain it was. These are the causes worth naming, and once they are on the wall the justifications improve immediately:

  • Something valuable is at risk. The bigger the loss, the higher the bar.
  • A ticking clock. A deadline raises tension without anything happening at all.
  • The reader knows more than the character. Almost always the highest bars in the book.
  • A promise not yet kept. Something set up in chapter two and unresolved in chapter nine keeps a low hum of tension under everything.
  • A short sentence, or a chapter that stops mid-scene. Craft, rather than plot — a real find when a child spots it.
From the classroom

Every class I have done this with produces a staircase — bars climbing steadily to a big one at the end — because that is what they think stories are supposed to look like. Then you plot a real book and it has a dip right before the climax, and someone always says the author got it wrong. That is the moment. The dip is deliberate; the quiet chapter is what makes the next one hit. I now plan the whole lesson around getting to that argument, and I choose a book I know has a dip.

How do you run it?

  1. Rate chapter one together and put it deliberately too high, so they have to argue you down and give reasons.
  2. Everyone writes a number privately before anyone speaks. Otherwise the first child said sets the whole class.
  3. Take the highest and the lowest and let those two justify. Never take the average.
  4. Write the justification before you draw the bar. The sentence is the work; the bar is the summary.
  5. At the end, look at the shape and ask what the author was doing. This is the actual objective.

Which books have a good tension shape?

BookWhat the graph shows
Kensuke's KingdomA very high opening, then a long low stretch, then a slow rise. Good for showing that tension is not the same as pace.
The Explorer (Katherine Rundell)Repeated peaks rather than one climb — useful for showing episodic structure.
HolesTwo storylines with different tension shapes running at once. Ambitious, and excellent for Year 6.
The Iron ManAn enormous first chapter that never gets beaten, which reliably starts an argument.

Which year groups is a tension graph for?

Year 3 upwards. In Year 3 and 4, use a scale of 1 to 5 rather than 1 to 10 — ten points is more precision than they can justify, and unjustifiable precision produces guessing. From Year 5, the full scale and a written reason for every bar. In Year 6, add a second colour for a character's emotion on the same chapters and talk about the gaps.

Try it now

Plot the chapter you read today, on its own, and ask three children for a number before you draw anything. If they disagree by more than two you have a lesson; if they all say the same you have picked a quiet chapter.

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Written by Rob Templeton, a practising primary school teacher, and part of the free Reading Activities set on Sage Teachers. Last checked August 2026. Everything here is free to use, and the printable sheet needs no email address.