Reading Activities / Character Motivation
Add a circle for each character, join the ones who matter to each other, and label the line with what one wants from the other. It turns a cast list into a set of pressures — and pressure is what a plot is made of.
Build the map live on the whiteboard · printing a blank one is free
The sheet it prints
Character motivation is the reason a character does what they do — what they want, what they are afraid of, and what they are trying to get or avoid. It is not the same as what they are like. A character can be kind and still betray someone, if what they want badly enough sits on the other side of it, and that gap is where most good stories live.
In the English National Curriculum it appears in the Years 3–6 reading comprehension requirements as drawing inferences "such as inferring characters' feelings, thoughts and motives from their actions", and in the US it maps onto the Reading Literature standards on describing characters and explaining how their actions contribute to the sequence of events.
A trait is what a character is like: brave, secretive, loyal. A motive is what they want: to be believed, to get home, to stop his brother finding out. Traits are adjectives; motives are verbs with an object.
This distinction is worth teaching explicitly, because children default to traits — ask "why did she do that?" and you get "because she's mean". A trait answer closes the conversation down. A motive answer opens it, because you can then ask why does she want that? and get somewhere. The activity above enforces it structurally: you cannot label a line with an adjective and have it make sense.
Motives are rarely stated, which is what makes this inference rather than retrieval. Four places to look, and they are worth putting on the wall:
The thing that shifted this for my class was adding a rule: a line has to be labelled in both directions before you can draw another one. Before that they produced beautiful maps of ten characters where every line said "friends". Forcing the second label is uncomfortable — they have to admit that the friendship is not symmetrical — and it is where the actual reading happens.
| Book | The pair worth mapping | Why it works |
|---|---|---|
| Holes | Stanley and Zero | What each wants from the other changes completely across the book, so the labels have to be rewritten. |
| The Boy at the Back of the Class | Alexa and Ahmet | Alexa's motive is generous and also partly about herself, which is a sophisticated thing for children to notice. |
| Fantastic Mr Fox | Mr Fox and Boggis, Bunce and Bean | Very clear motives on both sides — a good first map for Year 3. |
| Varjak Paw | Varjak and the Elder Paw | The motive is passed on rather than shared, which introduces the idea of inherited purpose. |
Year 3 upwards. With Year 3 and 4, keep to three characters and accept simple wants — wants him to go away is a perfectly good label. From Year 5, push for motives that the character would not admit to, and for the same pair to be re-labelled at the start and end of the book. That final move — comparing the map you made in chapter two with the one you make at the end — is the strongest version of this activity and it needs nothing but a second printed sheet.
Put the two characters who cause each other the most trouble on the board first, join them, and ask the class what one wants from the other. You rarely get past that one line in the first ten minutes, and that is a good sign.
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Written by Rob Templeton, a practising primary school teacher, and part of the free Reading Activities set on Sage Teachers. Last checked August 2026. Everything here is free to use, and the printable sheet needs no email address.